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Alfred brendel on music his collected essays

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Who is this strange lady? What is she looking at? And why is she carrying an egg on her head? Her features convey great artistic seriousness in combination with absurd comedy: the epitome of his own musical and literary preferences. And so, in his delightful new collection, great masters of nonsense meet great masters of music. Edition available at: » Faber » Hanser in German.
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The Writer Who Makes Perfect Sense of Classical Music

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Alfred Brendel Music, Sense and Nonsense Collected Essays and Lectures – World of Digitals

Brendel is fond of dismantling musical prejudices. Among two he lists are "there are no bad pianos, only bad pianists" and "there are no bad orchestras, only bad conductors" whoever made that last quip had never heard my own school's second orchestra, which I had the honour of leading. It was so bad we should really all have been taken out and shot, to prevent us from committing further crimes against music. But one line Brendel does not deign to mention is Steve Martin's assertion that "talking about music is like dancing about architecture", a remark which proves nothing more than that Mr Martin does not care very deeply about music. And has never heard of Trisha Brown, who actually does dance rather successfully about architecture, in a way.
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Music, Sense and Nonsense

Alfred Brendel KBE born 5 January is an Austrian classical pianist , poet , author , composer and lecturer who is known particularly for his performances of Mozart , Schubert , Schoenberg , and Beethoven. Retrieved 3 June After the war, Brendel composed music as well as continuing to play the piano, to write and to paint. However, he never had more formal piano lessons and, although he attended master class es with Edwin Fischer and Eduard Steuermann , he was largely self-taught after the age of Brendel gave his first public recital in Graz at the age of
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Alfred Brendel, one of the greatest pianists of our time, is renowned for his masterly interpretations of Haydn, Mozart, Beethoven, Schubert, and Liszt, and has been credited with rescuing from oblivion the piano music of Schubert's last years. Far from having merely one string to his bow, however, Brendel is also one of the world's most remarkable writers on music—possessed of the rare ability to bring together the clarity and originality of expression that characterised his performances to the printed page. The definitive collection of his award-winning writings and essays, Music, Sense and Nonsense combines all of his work originally published in his two classic books, Musical Thoughts and Afterthoughts and Music Sounded Out , along with significant new material on a lifetime of recording, performance habits, and reflections on life and art.
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