Transcribed from the Hodder and Stoughton edition by David Price, email ccx coventry. The Spider has a bad name: to most of us, she represents an odious, noxious animal, which every one hastens to crush under foot. Yes, the Spider is well worth studying, apart from any scientific reasons; but she is said to be poisonous and that is her crime and the primary cause of the repugnance wherewith she inspires us. Poisonous, I agree, if by that we understand that the animal is armed with two fangs which cause the immediate death of the little victims which it catches; but there is a wide difference between killing a Midge and harming a man. That, at least, is what we can safely say as regards the great majority of the Spiders of our regions.
This Lime Tree Bower My Prison
Essay on How Is “This Lime-Tree Bower My Prison” Reflective of Romantic Ideologies? - Words
Samuel Taylor Coleridge is the premier poet-critic of modern English tradition, distinguished for the scope and influence of his thinking about literature as much as for his innovative verse. Active in the wake of the French Revolution as a dissenting pamphleteer and lay preacher, he inspired a brilliant generation of writers and attracted the patronage of progressive men of the rising middle class. His poems of this period, speculative, meditative, and strangely oracular, put off early readers but survived the doubts of Wordsworth and Robert Southey to become recognized classics of the romantic idiom. Coleridge renounced poetic vocation in his thirtieth year and set out to define and defend the art as a practicing critic. Coleridge was preeminently responsible for importing the new German critical philosophy of Immanuel Kant and Friedrich von Schelling; his associated discussion of imagination remains a fixture of institutional criticism while his occasional notations on language proved seminal for the foundation and development of Cambridge English in the s.
An Analysis Of Samuel Taylor Coleridge's This Lime-Tree Bower My Prison
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